In a July 1918 interview with the Talking Machine World, Fletcher recalled, “My first phonographic experience was as a player in the old Edison cylinder laboratory in Orange, N.J., when you had to get up at 5 o’clock in the morning, be on the job, in your chair, and ready to play at 8 o’clock.” īy the early 1900s, John Fletcher was performing and recording with Sousa’s Band, as a cornetist. And yet, he was typical of many entrepreneurs who challenged the major companies during the record industry’s early boom years and, in doing so, managed to produce some intriguing records.įletcher, who began his career as a professional musician, claimed to have first recorded as a member of the Edison studio orchestra in the late 1890s. He managed to fail at virtually every venture he undertook (and there were many), and his involvement with Black Swan almost certainly contributed to that label’s demise. John Fletcher isn’t a name that normally comes up in discussions of recording industry pioneers. This article is a substantially expanded version of a posting that originally appeared on the Mainspring Press website in 2001. Part 1: “Music for Everybody” (1900 – 1921) By Allan Sutton
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